Category: ebook marketing


How To Promote an eBook – A Step-by-Step Guide

I spent most of my time at the London Book Fair 2017 sitting in the front row of the surprisingly pink ALLi stand, listening to independent authors talking about their success and author-aid services sharing the tips and tricks of the business. And of the many things I learnt while sitting there, this one struck me as lightning: several aspiring writers think that the job is done after having written the last sentence.

How wrong they are.

You are not a writer until somebody starts reading your work, and nobody is going to read your work if you don’t market it. But hey, it doesn’t mean that you should quit writing if you are not naturally good at selling yourself and making valuable connections!

Quite the opposite.

There are plenty of DIY tools and guides available to help you with marketing and turn you – a writer – into a successful writer. I’m not saying that it is going to be easy or cheap. It will require either your money or your time (or both). But as every good investment, it will show a return: while not every book published will be as successful as the Fifty Shades of Grey, examples of writers taking home as much as $300.000 in royalties exist and possible to follow.
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Marketing Magic Tool is here to help publishers increase ebook sales

New feature available at PublishDrive. Based on artificial intelligence and machine learning, hand in hand with the power of business intelligence, PublishDrive’s Marketing Magic Tool is here to help increase ebook sales and enable publishers to reach their audience more effectively.

We found that the reader base is unique of every store, so are the bestselling titles and genres. There is no publisher who can keep track of this and develop different marketing strategies by countries and stores without the help of AI and machine learning.

With the new Bestseller Match feature, which is the alpha version of the ultimate Marketing Magic, publishers are able to see the most similar titles of their books (defined by tags and content), store by store.

How to use the feature?

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Ebook Marketing Tips That Work – 6 Strategies You Can Follow

We are going to give you some bulletproof ideas to get your book out there and spread the word (and hopefully get some readers) without becoming that guy you had to block on Facebook because he kept bombing you with messages and inviting you to like his page.

It is a thin line, but basic common sense is your greatest friend. (We already have a post concentrating solely on social media and an other with ten great ebook marketing tips.)

1. You are not only selling a product, but you are also selling yourself.

Regardless of whether you are an enthusiastic beginner self-publisher or an established member of the writers’ society publishing at one of the biggies, nobody is going to build your image for you. (Unless you hire a publicist, of course; but we are not talking about paid solutions today.)

Building the right author brand helps you to distinguish yourself from similar authors and to establish a connection with your readers even before your book is out. Remember that everything you post on social media can be used for or against you: your political opinion, your favourite books and the frequency of baby animal videos are all points based on which your potential readers are going to judge you.
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The Complete Guide to Choosing Your Book Cover Font with Examples

(This article was updated on 03.08.2017)

We already wrote about how important it is to get your book cover design right: first impressions count, as you might not get a second chance. In case you missed it, you can see some book cover examples and read more about 3D covers here. There is an important  detail that many people overlook when designing their book cover (or when deciding whether to accept a proposed book cover design): the typeface.

Don’t look puzzled: just because you are not likely to pay any attention to them, fonts still do matter. Have you ever felt when looking at a piece of advertisement that there is something wrong with it, but you cannot tell it’s cause? The font needs to match the genre and your style. It is easy to get it wrong but can be a great tool emphasizing your message. You can hire the best photographer or artist to create your book cover picture, but if you don’t get your typography right, your book is still going to look cheap or out of genre.

When bringing a book to the market, you want people to think that you put a lot of effort into publishing it. If it looks cheap, they will think you don’t care enough.

In this article, we are going to guide you through the process of choosing the best font for your cover with great examples. Starting with general rules, we are going to analyze the trends of the most popular genres to give you the best advice possible. If you think we missed something, or have some nice covers to show off, please do not hesitate to leave a comment.

How to get fonts and what (not) to do with them


Book title font generator

Non-fiction book cover fonts

Horror book cover fonts

Comic book cover fonts

Romance book cover fonts

Sci-fi book cover fonts

Fantasy book cover fonts

Children’s books cover fonts

List of fonts

General rules for book cover fonts

How to get fonts and what (not) to do with them

Legal bits

We thought it is best to get the nasty part out of the way: make sure your font is free to use, or pay for the one you really need. You definitely wouldn’t want somebody to just use your book however they like – neither want typographers. So make sure you read the small print and check if the font is free to use for commercial purposes. Most typefaces come with a built-in theft check feature: you can use them on your computer, but cannot embed them into a pdf (and that is needed for your cover to look the same on every computer and even in print). If you are not sure, you can easily find out who owns the font (it can be the designer or a company) and ask them to clarify. There are a lot more variety in commercial fonts and sometimes you might have to purchase one, but you can find a list of nice free to use font collections at the end of this article.

Aim big

There are two different categories of typefaces: text or display. Some fonts are designed for several blocks of written text, and they must be both aesthetic and legible. They work best between 6pt and 14pt (points). And some fonts are designed to look better while displaying a message, creating a certain feeling or impression. They draw attention. They work well when used in larger sizes. Many fonts available have both text and display variants: they look the same at first, but the important difference lies in the small details. The website brings a perfect example of a font which has a text, a display and a banner variation. The display version seems much lighter.

Text, display and banner book font example(Source:

This is why it is advisable to, choose a display font, as you are aiming for a large font size on your book cover. Did we say large? Yes, when it comes to titles, size matters. You want your title to be legible even in a thumbnail. Don’t be afraid that it covers your carefully chosen book cover image (but you can play around that with a smart layout, which you’ll see in the next chapter).

Once you are confident that it looks good, stand up from the computer, take a couple of steps back and check it from a distance. It gives you a perspective of how your potential readers are likely to see it. (Or just zoom out to make it thumbnail size: around 100px.)

Treat your typeface with care

There is a last core rule: do not play with the typefaces. Do not stretch them or try to change them in any other way. These fonts are carefully designed to look perfect (as a text or as a block), so if you disorientate them, the results are likely to look bad. (Little tricks are allowed, though, especially if your primary language of publication is not English: we all know of missing ő-s and ű-s, or other tricky letters which can be easily created with InDesign – I’ll share the trick another time.) Most fonts come with different weights, more than just simple bold or italic; if your font can’t do what you want from it, use a different one.

There is an area, though, where you are likely to have to manipulate your font: the kerning. The spacing between the letters is not only important for aesthetical reasons but because poor kerning can cause letters or even words to grow together in a way it wasn’t intended.


Moving on to the fun part. As it is with everything in the book industry, no hard rules are defining your cover layout. We can give you one advice though: sometimes less is more. Yes, you want your book cover to stand out and to be unique, but sometimes the simplest typeface will do the trick. In the following, we show you great book cover examples where the uniqueness lies not in the selection per se, but in other typographic solutions.

Try playing around with different versions of the same font for author and title: bold for the title and roman for the author (roman is the proper term for a non-bold, non-italic typeface). On the novel The Light Between Oceans, the same font is used for the author’s name as for the title. Small, weightless words, like “the” could be well played with, as you see it being cursive and differently cased. They also played with colors: the title is yellow which resembles light. The Kawasaki cover is also simple: one typeface, two main colors, some italic. (But note that the rules are different for non-fiction book covers; more on this with examples later.)

Note that the designer here plays with space: the emptiness creates the illusion of lightness for the origami butterfly. The added review pieces could also bring extra attention if you keep them subtle enough. Us and Look Who’s Back are perfect examples of how a well-placed title and original typography can be the fundamental (or the only!) element of a cover.

Well-placed title and original typography on a book cover

Don’t be afraid to experiment and try different alignments. As you already see from the examples above, no strict rules are defining the placement of the author and title. The author’s name can be at the top or the bottom, the title can either be at the top, center or bottom.

Don’t forget: the most important is to get it to harmonize with your cover image, your genre, and your style. For inspiration and good examples, check your favorite books, go to a bookstore or just search “beautiful covers” (as you most certainly already did). The best advice we can give you on this topic is the following: use the main tropes of your genre to guide your readers and help them discover you. Based on the cover, they have to be able to guess what to expect when opening your book, or it shoud be tempting enough to be interested in it. And then hook them up with something that is special and makes you stand out from the thousands of other books on your submarket.

Book title font generator

Book title font generators could be an easy and great way to test many different fonts and settings without actually having to download and install the fonts on your computer. (Which can be a bit of a pain if we are talking about the hundreds of fonts you might want to try.) The only downfall is that we didn’t come across one we would be happy to use. Most of them bring out my childhood memories of WordArt: if you are too young to remember, the built-in Word function enabled people to quickly turn their text into fancy, colourful, 3D logos. It’s best not to use them. Do not use any effect either. If you want your title to be written in style of Stranger Things, there are websites that can do the trick, but it is inelegant and likely to be illegal. So far, the only website we think worth mentioning is the 1001 fonts: this is not a generator per se, but it lets you use your own text when previewing the fonts, which is rather useful.

Stranger Things font used as a book cover


Book cover fonts by genre

The daunting task of curating and compiling hundreds of fonts into genre themed pictures has been beautifully done by Derek Murphy and is perfect as it is. He doesn’t say anything about his selection method, however, which is pretty significant if you set out to find your own cover font. We do. (Please bear in mind that we mostly monitor the English and US market. The trends can be completely different in other countries.) In the following, we help you to find the most beautiful book cover fonts by genre with great examples..

Non-fiction book cover fonts

The least we can give is a simple rule: use sans-serif. Most designers of the best non-fiction book covers do. Sans-serif fonts suggest modernity, honesty (well, at least for me they do, but there must be a reason why they are so popular). They look straightforward and professional – and this is exactly how you would like to be perceived when publishing a non-fiction. Cookbooks, self-help books and academic anthologies all work well with sans-serif. A handwritten title looks very well on biographies, if balanced out with the author’s name in sans-serif and the title being still legible. (If you can’t read the title of the Lauren Graham biography, you are not alone. I keep reading “as I ow”, which doesn’t mean anything. Do you remember what we said about the importance of kerning?)

Non-fiction book cover font examples

The current trend is the extreme use of bright colours and a light background. All of the above examples have a balanced, symmetrical layout (I really like the diagonal cut of the Graham book), with center-aligned titles. All titles are capitalized entirely. The designer of the Stalin book chose a “communist feel” font to emphasize the theme and set the function words (“and the”) a couple of points smaller.

The first font we tried out is Route 159, which is free for commercial use. The package contains light, regular, bold, heavy and italic versions and a combination of these; we chose heavy. A font like this works very well even if used in inverse, putting a pattern under them on a blank cover.

Book cover with inverse font and patterned background


Widolte light is not free, therefore you can only see the demo version. We used this simple type to show a bad example of placement: if your title resembles a humming top, change something.

Horror book cover fonts

Look away now, if horror is not your genre because the following images might be disturbing for some. Blood, ghosts, bones, and Victorian dolls: all well-used elements of the horror book market. When it comes to typefaces, a bit of fading, some blood drops or fangs can add some spookiness to your cover. Don’t overdo it, though: if the font has some letters with additional drawing, it only looks good if the letter doesn’t repeat within the title (for this, see examples below). Depending on which age your horror is set in, goth fonts can work very well; or the simplest sans-serif for a modern setting.


Cocaine Sans font with the words Last Turn

I used the font called Cocaine Sans for this text: it is a great font, free to use, but notice how silly the two T-s look next to each other. A font like this only works if your title contains different letters only. On this note, I definitely would not pay $60 for a cover like the Hellhole below, straight from The Book Cover Designer website. They don’t specify the font, but it would work much better if only one of the L-s would be fancy.

Nightmare 5 font with the words Out of Coffee


Nightmare 5 is such a great font that we were happy to use it for spelling out our biggest nightmare. It fades and has a grunge quality, but is still easy to read, and has a bit of Scooby-Doo-y playfulness. It is free for private use, but must purchase for commercial use.

Horror book cover font good examples

The Kevin Brockmeier book is an excellent example of the typeface being unnoticeable. The placement draws your attention to the middle of the picture, so at first, you might not even notice what is so spooky about this cover. The title is in all capitals (it is ok for horrors, but not advisable every genre) and sans-serif, combined with the author’s nem in serif.

The amazing covers of the Vintage series are well known for everyone. When reprinting a classic, it is extremely common to use a serif font. Since the author is world famous, they can afford to “hide” him in the corner, with his first name left out. The used font is subtle, it could come preinstalled on anyone’s computer. (But it doesn’t.)

Horror covers usually use dark backgrounds and “spiky” decorations, tall fonts, just like on the cover of the Palahniuk book. This cover is a fantastic example of how a good font supports the cover picture. You might have to hire a professional for a cover like that unless you have a very talented friend whom you can bribe with chocolate.

Comic book cover fonts

The rules are much less specific when it comes to comic books, as it is more of a medium than a genre: there are horror comic books, romantic comic books, non-fiction comic books, classic superhero comics, graphic novels, manga and so many more. The designer has to place the book not only within the medium, but also the different subgenre; not to forget the difficult choice regarding the fonts (a different one for main text, one for non-human sounds, several for signage) within the book. What we said about style, is even more relevant for comics.

Pick the craziest fonts for the cover, bright colors, usually all caps, title almost exclusively on the top or in the upper middle part (so it is easy to flip through them in a comic book store). For this, we can’t recommend a font, but provide a selection of our favorite comic book covers.

Comic book cover font good examples

Yes, we know that these covers go against everything we stated so far. Neil Gaiman’s name is written vertically, which would be a big No for most genres. On the next cover, at least two different types are used, and both are serif. This violates the first rule of typography: do not use two conflicting fonts. On a comic book, it works. Persepolis is a great example of how the simplest font can show off on the cover if it matches the image in style. The title of the Atwood comic has a yellow shadow to make it pop out of the picture; while it would not work for most genres and is widely resented, it is not the same regarding comic books.

Romance book cover fonts

Let’s change the pattern and start with some terrible examples. We need to warn you: these are all real books available on Amazon that came out recently.

The first book is an excellent example of an ugly cover made by a traditional publishing house to appear in print. The author’s name is almost unreadable due to the small spacing – it would have worked better in a smaller size but with decently spaced letters. A bulletproof solution would have been to use the author’s initials: Jacqueline H. Butler, J. H. Butler, J. Harmon Butler all fit nicely on the cover with a more rounded type. (We don’t dare to assume that they pushed the font together, so it fits.) The red used for the name is a surprising choice since it stands out of the image’s main color scheme; unless there are vampires in the story (which we doubt). The way they broke the title is non-aesthetic, the function word “to” sits oddly before “Paris.”

We now have to repeat the obvious: make your title BIG. Even on the real sized cover, we can hardly read the title and the author of the second book. Please drop Comic Sans and don’t use black on a dark background. Same goes for the third book: drop Comic Sans. It is silly to use a font to sell a product, which is hated by enough people for the BBC to  write about it.

The fourth book might be appealing to the German audience, but the use of four different fonts is distracting. There is also too much information on the cover: five lines, all different colors, each used with different effect.

Romance book cover font good examples

This out of the way, let’s talk about tendencies. Warm colors, ornamental, serif fonts are a must. Handwritten, calligraphic fonts could also work, if you make sure that it is still readable.

The most perplexing font we came across is the Calissa Words (free for personal use) which gives you a set of words with ligatures, but no letters. You get the words assigned to the letters of the keyboard. It is odd, but the type is indeed beautiful. This is what I get when I type my name (6 letters) in:

Calissa font with ligatures

I like Lavenda (free for private use) for no apparent reason. It is a simple, lovely and easy to read handwritten font.

Lavenda handwritten font example

For a younger audience, teen romance, LT Chickenhawk is a perfect choice. The genre also calls for no capitalization.

LT Chickenhawk, a font example for younger generations

It is best if we just stop here for a second. The WOW! (Women on Writing) has published a compelling article about how covers are the main tool in dividing the market into women’s fiction (“serious literature”) and chick lit (“easy read”).

Women’s fiction versus chick lit style books

(Source of the picture:

You can use this opposition for your own advantage by designing your cover bearing in mind what you want people to think of it and where on the market would you like to be positioned.

Sci-fi book cover fonts

Okay, this is an easy one again: there are tons of futuristic, light, sans-serif fonts on the market. Sci-fi books usually come with a dark cover and light title, using pastel colors. If you want to see some horrible examples, there is a whole website dedicated to them (also includes fantasy books, but usually showing vintage editions), but we are only going to show nice ones.

Sci-Fi Book cover font good examples

The rounded, thick sans-serif fonts and all capitals for both the author’s name and the title make these covers similar. The layout of the cover is not strictly set.

The last of these covers is strikingly different: it would very well fit among the above-mentioned “Women Fiction.”

It is purposefully deceptive; it makes you expect something from the 1800s: a serif font, traditional author – title placement, ornamental pattern under the title. The readers it aims to reach are not the “traditional” sci-fi audience, but whoever would take the Memoirs of a Geisha off the shelves.

Cold Waters font book cover example

Cerena is an excellent sci-fi font, free for private use, but we wouldn’t choose it without knowing how to use InDesign. Can you see the gap between the A and T in the first picture? It is a straight cut line between the two letters. This bad kerning didn’t happen because the designers didn’t know what they were doing, but because MsWord is a text editor, not a publishing tool. Just use the font in InDesign, and the gap is gone, without us having to change anything. (The font comes with capitals only.)

Among stars book cover font example

Not Just Groovy (free for personal use) is my favorite of all fonts listed in this article, and I can’t think of a book on which it wouldn’t look good. The use of all lowercase is also common for sci-fi.

Fantasy book cover fonts

Great fantasy books (luckily for us, readers) always come in series. A well chosen font and placement will make your book recognizable from far away: your fans will instantly spot your book anywhere. Some examples below include the great urban fantasy series of Ben Aaronovitch and everyone’s favourite epos by George R. R. Martin. I’m sure you get the idea.

Ben Aaronovitch fantasy book series covers

George R.R. Martin fantasy book series covers

These authors succeeded in building an brand for the author, because the book covers follow a theme, a structure: same typeface, similar alignment, different colour scheme. (Which is great if you spot somebody reading them on the underground.) Even if you are not planning to write a series of books, it helps if your fantasy book covers share some design elements.

For a fantasy book, your cover has to convey the mood of the book. It also helps if your cover image orients the reader: when and where in the fictional world are we? Is it hot or cold? Is there magic? But remember to never disclose too much, don’t ruin your readers’ surprise and journey of discovery.

Optimus Princeps (left) is a great serif, all caps font. It is ideal for all your fantasy needs from Middle Earth to Gilead.

Optimus Princeps fantasy book cover font Oranienbaum fantay book cover font






Oranienbaum (right) is a well balanced, light and modern serif font which would look great on any urban fantasy or anything set after an imaginary 19. century.

Children’s book cover fonts

We already wrote about self-publishing a children’s book, but didn’t talk about cover fonts in that article. No wonder: this is such a huge cathegory, it includes books from toddlers to pre-teens.

However, there are a couple of guidelines. Children’s books, similar to fantasy books, are likely to come in series. Aim for a unique style, a brand you can keep and which mums and kids easily recognise. You can use bold colours and creative, handwritten-style fonts.

Harry Potter book cover children's book font example

Surfing Capital is an amazing, brush-like font in all caps. I can easily imagine it used on a book for a toddler or pre-schooler. The letters are easy to read, which can also be important.

Surfing capital brush like font


Bakery is an amazing free for personal use script with great ligatures and a wide range of possible usages. It is not as easy to read as the previous one, but kids from 8-9 years old will likely be able to tackle with it.


Bakery font, ideal for books for 8-9 year olds


List of fonts

All in all: try to find the balance in book cover design. Try out different typefaces and layouts, until your book is great to look at (and your title is legible in thumbnail size). There is obviously no one-size-fits-all solution for your typography problems, but trained eyes will easily notice if something is about to go terribly off.

If you are still with us, you deserve to check our list of free or easy to buy font collections we came across. Thanks for reading and please use the comments section to share everything we don’t know about. Happy publishing!

MyFonts – A collection of the best-known typefaces globally. The fonts are free to try but come with a charge if you want to use them.

Behance Free Fonts – Amazing fonts shared by the design giant Adobe

1001 Fonts and Dafont – Huge collections of fonts with straightforward signage of licensing and direct link to the designers. Bonus points for the Donate button.

Font Squirrel – A beautiful selection of free for commercial use fonts. Motto: who has time to pick from thousands?

CreativeBloq – With descriptions as specified as “high-contrast serif display fonts,” this website has something for everyone.

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How to Effectively Promote Your Ebook on Social Media

Promote your ebook on social media

For self-published authors and writers of any kind, social media holds the key to free online marketing and a worldwide audience with their ebook. As those publishing their own work likely don’t have the budget from a comprehensive promotional team, these easy and free-to-use platforms offer the perfect alternative, so long as you can properly harness their power. In this article you will see the basics how to promote your ebook on social media.

It’s not enough to post a link to your book’s Amazon page on the day of its release; finding success on social media is a carefully crafted and well-thought-out pursuit. This guide provides the basics to start building a far-reaching and efficient social media marketing campaign.

Establishing a Presence

With success on these types of sites based largely on number of followers, likes and shares, it can take a while build up your accounts in order to have the greatest promotional success. Forward planning is essential.

It’s no use setting up your first Facebook or Twitter account a week before your book is about to go out to the publisher. Instead, give yourself as much time as possible and work on building up your followers and making your presence known to them.

Once you’ve attracted a large enough following, your social media accounts basically act like a giant mailing list where you can focus the information about your books and how to buy them.


Post Frequently but Not Excessively

Establishing a presence means staying active, and this is one of the biggest problems a marketing campaign of this nature poses. Fans need a constant stream of good quality, relevant content in order to keep their attention on your pages. The more often you post, the more chance there is that potential new readers will stumble across your accounts and invest in your product.

However, there is a flip side to this. Excessive posting can easily be seen as spam and will turn away just as many readers as it attracts. While on platforms like Twitter there’s no harm in reposting a tweet a few times a day, constant repetition or posts will begin to grate on your followers.

Similarly, superfluous statuses about what you had for breakfast or the fact you’re going shopping is not likely to drum up support. Keep it thematic and relevant to your work.

Interactivity Is the Key to Success

Content is just as important as frequency when posting on social media. As previously mentioned, one essential factor is keeping it significant, but another key strategy is to create interactivity. Not only do fans love the opportunity to talk to their new favorite author, this sort of activity also increases your visibility on the platforms because of the algorithms used to work out what is visible in the news feeds of users.

Invite discussions by asking followers questions surrounding the themes in your work, or create polls for idea feedback. It’s also important to remember that visuals are more impacting than text, so add as many pictures to the mix as possible.


Ebook Releases on Social Media

Once you’ve created an active, interactive and comprehensive social media presence, you’re ready to prepare for your actual product release. Once you’ve set a date, you should plan your marketing campaign to take place in the run-up. Many people believe they don’t need to start sharing and posting until the book is out for sale, but they’re losing valuable time by waiting.
Update your followers on all the key events, such as finished drafts, returned products from your beta reader, finalized cover design, etc. As soon as you have a date, set up an event and invite people. If you market right, this event will grow and grow, and your first-day sales will significantly benefit.
Another great tactic is to set up a competition: in exchange for likes, shares or retweets, offer users a place in a prize drawing that will give one winner an exclusive copy of your book. However, it’s important you stay within the term and conditions of any specific platform.

On the day of the release, the spam rules go out the window: post as much as you can—everything from pictures, reviews, snippets, quotes, opinions, and sale statistics. Flooding the pages of your followers, only when necessary, means they know when it’s time to pay attention.  

Protecting Your Investment

Finally, but perhaps most often overlooked, there’s no use creating a comprehensive marketing campaign only to have it brought down by harmless malware and frustrating hacks. Malvertising is an increasingly common type of security breach in which suspicious links are sent from an account to all of your followers. While they provide no substantial risk, users are so weary of the problem that they’ll be quick to disconnect from your accounts for their own safety.

The most common cause of this is password infiltration, which can happen for a number of reasons. To minimize your risk, be sure to keep your passwords complex and unique, and change them every few months. Similarly, you can use a Virtual Private Network (VPN) in order to stop your details being intercepted while on unsecure public WiFi networks. VPN review site Secure Thoughts provides a more comprehensive explanation of this if you want more information.


Social media is far too useful a tool for any ebook author to overlook. In terms of reach, cost and ease, it’s by far the leading promotional option for self-publishers. So what are you waiting for? If you haven’t already set up your accounts, then head over and do it now!


About the Author: Caroline is a blogger and long-time marketing expert. She has long harnessed the power of social media for her own projects and is always happy to share what she’s learned with others. You can find Caroline on Twitter at: @CultureCovC


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Ebook Marketing Tips for Beginners: The Starter List

Publishing an ebook worldwide does not guarantee that your potential readers will know about it and find it. Without fine-tuning your marketing, you might not reach the readers you want to reach. Don’t worry: ebook marketing should not be expensive, nor complicated. This article is presenting you with tips and tricks everyone can try to market their ebooks. This is our starter list: ten things every new author should try to market their ebooks.

Read our checklist to learn how to stand out in a market filled with books similar to yours. But hey, remember: there is no golden road. What works for one author, does not definitely work for another. Try different things, experiment, and see what works for you. And, most of all: be creative! While many people hate marketing, it is so much more than cold sales. You are not trying to sell people something they don’t want; you just want to reach your readers who want to read your book, they just don’t know it yet.

(Ebook Marketing Tips for Beginners: The Starter List was updated on 14/05/2018.)

1. Fill in your metadata correctly

This sounds basic, but we are not afraid to say it: use your book metadata page. It is not only you who wants to sell their book, but also the stores: but they can’t help if your book is incorrectly categorised or your keywords are not filled in. Selecting the best category for your book and adding the correct keywords could mean that your book comes up in searches more often. 

How to find the best category? Check your favourites in the genre, and see which category and keywords they are using. This way, the stores will make intelligent connections between your book and the books of others. It will show up in searches even when your readers were searching for another books. Be relevant and find the niche-est group possible. However, don’t push it too far: adding keywords to your title or subtitle is generally frown upon. Stores do not like authors who are trying to “trick the system”. Use the keywords field for keywords, the description field for description, etc.

We write a lot about managing your metadata correctly. Welcome to our Metadata Master Course!

2. Ebook marketing superstars: the review bloggers

Nobody can sell your book as well as a satisfied reader. Reach out to bloggers and ask them to write reviews about your book. Of course, it requires some previous research in the blogger world. Look for the pros of your genre, build relationships, make friends. It does not work from one day to the next, but it is worth the effort. They can give your book relevant, unique and human-written reviews. Finding the right reviewers and building fruitful relationships with them is not easy.

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